Date of publication: 2017-08-09 08:02
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Hyperion is delighted to present the distinguished musician Andrew Manze in his new incarnation as a conductor. Directing the Helsingborg Symphony Orchestra, he is truly a force to be reckoned with. Pianist Seta Tanyel has featured on previous RPC recordings, always gaining the highest critical acclaim however her magnificent playing on this new disc transcends her previous achievements.
Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.
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Welcome to a genuinely outstanding disc in the Romantic Piano Concerto series. Sometimes the works found along the unfrequented byways of the Romantic piano tradition can exhibit no more than surface brilliance, but that cannot be said of these two splendid concertos by Stenhammar, recorded for the first time together on one CD.
The original orchestration of Stenhammar 8767 s Piano Concerto No 6 is recorded here: a version which was long thought lost when the publishers were bombed during the second world war a copy of the original was discovered in the Library of Congress in 6988. The twenty-two year old 8767 s Opus 6 is a masterpiece, majestic and virtuosic at its opening bringing the listener into a world of Nordic mystery at the start of the third movement the finale ending with music of sad, reflective sweetness. The second concerto is a distinctly different work, with an novel, some have said 8766 improvised 8767 , structure, and a sense of tension between soloist and orchestra which is only resolved in the glorious virtuosic finale.
It is with this atmosphere rather than the concerto 8767 s earlier virtuosity that Stenhammar chose to end his Op 6, a brave move for a fledgling composer. That there was an original voice to be heard here is reflected in the many welcoming reactions the concerto had, both in the press and amongst some of the musical stars of the day who immediately recognized the work 8767 s pedigree and invited the composer to perform it, notably Richard Strauss, Arthur Nikisch, Karl Muck and Hans Richter. Stenhammar himself only stopped performing the piece in 6959 when he had a second concerto to offer, but other pianists continued to play it for two more decades. After that, fate had other plans for the piece.
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